646f9e108c A drug heist goes wrong,one of the drug carriers escapes after stabbing the robbers, gets a glimpse of their faces. The two masked men are actually two police officers, who decided to plan the heist. Vincent, a lieutenant who now has a bad stab wound, ends up with a huge bag of coke. The bag of coke belongs to a powerful mob boss/nightclub owner named Jose, who kidnaps Vincent's son in hopes to reclaim his property. Vincent has until the end of the night to return the stash and save his son.
A cop with a connection to the criminal underworld finds his secret life exposed when he and his partner are caught stealing cocaine from a powerful drug dealer, a move that puts his son's life in jeopardy.
The action in "Sleepless Night" is intense, sure. However, it is not a fight filled, guns blazing extravaganza. The US trailer and comments gave this movie credit with being a mix of Die Hard, 24, and Taken. However, it is much better than Taken, more intelligent than Die Hard, and more unnerving than 24.<br/><br/>Tomer Sisley plays Vincent, a cop who moves cocaine for a drug kingpin. However, things take a turn for the worse and Vincent's son is kidnapped by Marciano, the kingpin. Vincent must enter Marciano's nightclub and outsmart the thugs and crooked cops who are both trying to track down Vincent. Sisley's performance is physical and real, his face is often twisted in pain or sadness, or violent rage. His acting impressed me more than all other aspects of the movie.<br/><br/>The setting takes place almost entirely in a nightclub, where Vincent is searching for his son while trying to search for the hidden drugs which he must give to Marciano in exchange for his boy. Never have crowds of ordinary people played such an important part in a film. The crowds on the dance floor, stairs, and bathrooms all play significant parts in the film. I felt claustrophobic just watching Vincent try to swim through a mess of bodies numerous times. The lighting and music creates a seemingly frantic pace, of which the movie already has plenty. Another highlight is the fight between Vincent and fellow cop Manuel. It is a very realistic and brutal one. It turns into a desperate, devastating fight where both men are exhausted physically and mentally after wards. They utilize numerous kitchen items and the landscape to try and better one another. There is no fancy fight moves or wall climbing, only ferocity and violence in this fight.<br/><br/>I was impressed with the acting and location. The plot is average, but the cast helps elevate it, and you are genuinely concerned for Vincent an his son's well being. It is in French with English subtitles, and I'm glad there was no awful dubbingis what usually happens. It is a good action movie that impresses with its cinematography and acting. Well worth a viewing or more, especially if you enjoy films like Die Hard or Taken. It more than deserves a spot next to them on the shelf.
Wow, the French certainly know how to make their thrillers! Following from the excellent crime/suspense/thriller POINT BLANK comes SLEEPLESS NIGHT, a film whose major storyline takes place in a single nightclub in a single night. Into this setting are thrown a roguish hero, his partner, good cops, bad cops, gangsters, drug dealers, a kidnapped kid, henchmen, and a few hundred revellers. What could possibly go wrong?<br/><br/>Nothing, it transpires - at least in terms of film-making. Because, believe me, this is exciting, excellent stuff, up there with the best of the 'intense thriller' genre (which includes films suchTHE MAN FROM NOWHERE, NO WAY OUT, the BOURNE trilogy, etc). There isn't a great deal of fighting - apart from one frenetic bust-up - but the editing is super-fast and the storyline never lets you go for a second. The amount of energy that's gone into this movie is spectacular indeed.<br/><br/>By the time the film ends you feel upexhaustedthe hero did, because this is tight, focused, compelling and however else you'd like to describe it. Great acting, great cinematography, a film made by people who know exactly what they're doing and how to deliver a knuckle-scraping, heart-pumping thrill-ride of a movie. I couldn't rate it more highly and I can't wait to see it again…and again…and again.
There's no mistaking Jardin's playful mastery of the Hollywood-style action aesthetic; his movie starts in high gear and accelerates steadily from there.

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